10. Foo Fighters Sonic Highways
The Foo Fighters went on a quest this year to travel across the United States to find and play in some of the most important recording studios in music history. The outcome of that is this album and an HBO series, both titled Sonic Highways (I haven't watched it yet but I intend to). It was an ambitious project that only Dave Grohl would actually try to attempt and succeed with it. I love Grohl's love for music history and want to share it with this generation of music fans. It's a very similar idea to his great documentary he directed in 2013, Sound City. Most of the songs sound a lot like their work on the incredible Wasting Light, especially their single from the album, “Something from Nothing”. But they did try to mask their style a little with the historical style of the musically significant city they were in. A decent album from a great band. They're #10 due to lack of creativity because honestly, this is just the same ol' Foo's but I love the same ol' Foo's just the same, so on my list it shall be.
9. Foster the People Supermodel
Again, I must defend Foster the People and their awesomeness! Supermodel was weird but they experimented and for a sophomore album, that's a ballsy thing to do. Plus, “Coming of Age” was a great first single for the album and just a very catchy song. I've already explained my love for this album on this blog, during NABLOPOMO so there's no need for that. Just listen to them and love them, damnit!
8. Alvvays Self Titled
Alvvays is a band from Canada that kind of snuck up on me towards the end of the year. As some people who read this blog know, I'm a librarian, and I saw this at the circulation desk a lot during October and November. I checked it out and the first thing I thought was, “oh god, another Best Coast surf pop band with ridiculously catchy songs – I'm hooked.” I'm such a sucker for these type of bands. “Archie, Marry Me” and “Party Police” are some key tracks. If you're like me and love these peppy, 1960's beach party bands, give this a listen.
7. Angel Olsen Burn Your Fire for No Witness
Here's another artist that snuck up on me towards the end of the year – damn! Angel Olsen sounds like Fiona Apple, The Dead Weather and Patti Smith mixed together...I love it. This is her second studio album and it's been getting rave reviews from pretty much every music media outlet...she'll be around for sure. Olsen is raw and visceral. It's also obvious she doesn't care what other people think and is just doing her thing – that's what makes this album important. Key tracks: EVERY SONG. Listen to it.
6. Banks Goddess
Jillian Banks came out in 2014 with a fresh, new sound that showed us what R&B and dance music can sound like with passion and unapologetic honesty. Her raspy growl makes you feel every word she's singing and won't stop until you know how much she's hurting. Key tracks include “Waiting Game”, “Brain”, “This is What it Feels Like” and “Beggin' for Thread”. A great introduction to hopefully a long lasting career in music.
5. Courtney Barnett The Double EP: A Sea of Split Peas
I don't think I've mentioned Courtney Barnett at all on this blog. Barnett is one of the artists I fell in love with this year. She reminds me of early 90's rock – her guitar snarls from the amplifier almost like Kurt Cobain or Billy Corgan would prefer. Her lyrics are just rambles from what sounds like a journal, but it totally works. Some key tracks include “Out of the Woodwork”, “History Eraser”, “Anonymous Club”, “Avant Gardner” and “Lance Jr.”.
4. Sylvan Esso Self Titled
The type of music Sylan Esso creates could easily be very boring, lacking creativity and passion. Not Sylvan Esso though, they know how to do this type of music. Their self titled is full of bright and breezy melodies that will get you dancing. It's albums and bands like Sylvan Esso that should make dance and electropop groups want to be better. Some key tracks include, “Coffee”, “Wolf”, “H.S.K.T” and “Uncatena”.
3. Jenny Lewis The Voyager
JLew had an amazing year, releasing her third solo album, The Voyager, produced by the exceptional Ryan Adams. I do miss Rilo Kiley but I'm glad Jenny Lewis is still making music because it's the closest we still have to the infamous indie foursome. You can tell, especially on this album, that Lewis had a strong influence in Rilo Kiley's sound and lyrics. “Slippery Slopes” sounds like it could be straight out of More Adventurous or The Execution of All Things. One thing I love about Jenny Lewis is her ability to write a song that sounds poppy and not serious and then out of nowhere, a serious thought will come through your speakers and you say to yourself, “well that got really deep really quick.” I loved that she worked with Ryan Adams on this album too because I feel both of them are a little like that. They're also very similar in their way of writing a song. They both discussed how they literally stayed at Pax AM (Adams Los Angeles studio,) for 48 hours straight just to get the guitar right for “She's Not Me” or the mood set for “You Can't Outrun 'Em”. When they write, they WRITE. They live and breathe these songs and it shows. Some key tracks include “Head Underwater”, “She's Not Me”, “Just One of the Guys” and “Late Bloomer”.
2. Against Me! Transgender Dysphoria Blues
A very pivotal album in their career and in lead singer Laura Jane Grace's personal life, Transgender Dysphoria Blues really showed fans of Against Me! that they still had it. That indefinable thing that makes Against Me! great – their raw passion and unapologetic honesty that goes into their music and their lives. There's a reason why there's an exclamation point after their name. Energy is probably the first word I think of, when I think of Against Me!'s music. Let's rewind a little bit to 2010 when White Crosses came out. To be honest, Against Me! were having a rough couple years and now we know it's partially because of Laura Jane and her personal issues with her gender identity. White Crosses was okay but any Against Me! fan knew from listening, that their heart wasn't in it. There was just something about it. When a formerly identified Tom Gabel came out with the news that she would start transitioning from a male to a female, fans were supportive and curious to see how this change would effect Against Me! and their music. It turns out that luckily, they got better. A lot better. When Will Hermes reviewed this album for Rolling Stone, he said, “it takes balls to come out this way, in this genre”. Laura wouldn't have it any other way. Not to mention, I saw Against Me! play during their last tour when they came to the Capital Region and I didn't think it was possible that their live show could be more enjoyable but they sound better than ever. Key tracks include “Transgender Dysphoria Blues”, “True Trans Soul Rebel”, “FUCKMYLIFE666” and “Dead Friend”.
1. Ryan Adams Self Titled
It's going to be very hard for me to write a coherent, cohesive sentence about Ryan Adams and this album. That's how much I love it. I can't even put into words how much I love this album and how proud I am of Ryan Adams this year. I've been following Ryan Adams for a long time. I really liked “New York, New York” when I heard it and years later when I was a senior in high school, I checked out Gold at the library I worked at. I fell in love and haven't looked back since. It's been a little rough for Adams and his music hasn't been consistent but I've loved him just the same. Then, he married Mandy Moore, discovered he had Meniere's Disease and got treatment for it and probably the most important part, he got clean. Adams struggled with drugs and alcohol pretty much his entire adult life and I'm so happy he has gotten it under control and is realizing now what he needs to do to make himself better. This album is the Ryan Adams fans knew was there, that's why we've stuck by him this entire time. This is going to sound weird but the music Adams creates now at his Pax AM studio is almost like a punk version of alternative country. There's distortion, the guitar is very rough and it's stripped down. Much like Laura Jane Grace, it's refreshing to see Adams doing what he wants to do finally, with no record label or person holding him back. The Ryan Adams we're seeing now is 100% him. Some of the songs on this album almost mirrors an early Tom Petty or Bruce Springsteen – notably “Trouble”, “Stay With Me” and “I Just Might”. People have been comparing him to Bob Dylan and Graham Parsons for years and there's definitely still truth to that (seriously, no Graham Parsons, no Ryan Adams. Literally. I believe that.) but he's shying away from the country twang that he's become so known for from albums like Cold Roses and Jacksonville City Nights with the Cardinals and doing more of a mix that is uniquely Ryan. The entire album is great but key tracks include “Gimme Something Good,” “Trouble”, “Am I Safe”, “Stay With Me” and “Shadows”.
Tom Petty & the Heartbreakers Hypnotic Eye
Hozier Self Titled
Interpol El Pintor
Ed Sheeran X